with blue seams present, my hands forget to be hands, they are my eyes, and my eyes my hands,
both incapable of remembering
just after they’ve released their contents
a tear, and a ball,
what game?
“how I wish I could just be an eye”
a gentle implacable roving sphere
an agent without hand or an eye
seeing above the game,
floating in an [...]
Today I reread Mark Stevens and Annalyn Swan’s DeKooning, a particularly long several session read, 630 pages of text in all. In all of the authors’ writing on DeKooning, nothing even approached the eloquence of DeKooning’s own appraisal of the art that he anguished over his entire career. The authors’ descriptions of DeKooning’s [...]
http://www.nytimes.com/2008/09/26/arts/design/26live.html
I find it funny that Roberta Smith in her most recent article on the opening of MAD, the Museum of Arts and Design, exclaims that much of the museums current show which blurs the distinction between art and design that the establishment has held so tight to, is ‘derivative’. The humor derives from the [...]
SUPERIOR COURT OF CALIFORNIA
County of Alameda, Rene C. Davidson Alameda County Courthouse
Case No. RG07336497
Date: September 21, 2007
Petitioner: Kristin Sue Lucas
Petitioner represented by: Kristin Sue Lucas
Judge: The Honorable Frank Roesch
Transcript of Change of Name Hearing:
JR : Kristin Lucas… You are the last one on the calendar today,
Miss Lucas. Because I really don’t quite understand. This process
requires [...]
Black Box Romanticism: Borrowing into the Future and Past
What does it mean to borrow into the past and the future? It seems that the core of this notion deals with temporality. How is the concept of the present perceived within the discourse of cultural semiosis? The story follows the notion of [...]
Post-Repetition: Tzaraismiosity
As a living, breathing non-entity that fosters a heterocosm of working modalities, Contemporary art allows for a spate of contradictions. Here, in essence I am referring to the functioning of language. I began to experience the contradiction inherent to artistic languages early as a maturing artist. The first mature works that [...]